I Am Every Good Thing

into teenage hands as well, especially those already wounded by some of the predominant views of Black masculinity. . . . The need for a book like this, at a moment like this, could not be greater. Booklist, starred review

* Barnes and James reunite, after the multi-award-winning success of Crown, for this beautiful and necessary book that affirms Black boys and their right to thrive. James s vibrant oil-paint illustrations harmoniously depict Black boys in motion, in contemplation, and in full vitality as they skateboard, swim, or stand contemplatively in the outdoors. Barnes s refrain throughout the book . . . is a powerful, present-tense reminder that normalizes the robust lives Black boys deserve to live. . . . Lets Black boys know they are loved and valued just as they are, with unlimited possibilities. Movingly, one boy affirms for himself and for the reader, I am not what they might call me, / and I will not answer to any name that is not my own. Fortunately, Barnes and James provide us with a range of powerful, positive names to call Black boys as they urge us to see them, to love them, and to let them live their lives as they deserve. Horn Book, starred review

* Page after page of empowering text speaks to energetic children everywhere, as the author-illustrator team behind Crown: An Ode to the Fresh Cut return with another top-notch celebration of Black boys. The catchy text exudes confidence. . . . Background characters are of various races, but the stars of every page are Black, and they explore, soar, soak up information, and make a difference. The pace slows as the speaker admits he sometimes is afraid of what others call him but refuses to let those attitudes define him.  The vibrant illustrations reinforce the energy as groups and individuals share their gifts with the world, including a cameo by Barack Obama. Remembering their ancestors and their fathers, and acknowledging their own strengths, a line of boys gaze at the reader before the book s final declaration. . . . Pulsing rhythms and bright images combine for a worthy and timely choice for every collection. School Library Journal, starred review

* An empowering ode to Black boy joy. In metaphor-driven verse, Barnes moves from the interpersonally specific ( I am that smile forming on your face ) to the iconic ( I am a grand slam,/ bases fully loaded ), and from the naturalistic ( I am waves crashing gently on the shore ) to the historical ( I am my ancestors wildest dream ). Employing rich textures and jewel tones in his fine art style, James paints Black boys of varying skin tones and ages engaging in work and play, solo and in community. . . . Together, James s energetic portraiture and Barnes s affirming text powerfully and ecstatically convey the idea that all Black boys are worthy/ to be loved. Publishers Weekly, starred review

* This first-person self-affirmation celebrates the multiple wonders of young Black boys. . . . Barnes playful, potent style draws on inviting metaphor to lift this well above the usual supportive picture book celebration, and the zippy turns of phrase prompt affectionate and personal reading aloud. James fluid, painterly oils show a gallery of young boys brimming over with magnificence, whether they re swinging at a pitch, peering through a microscope, or beaming a dimpled smile out at the viewer; even the tender and quiet compositions have a dynamism that suggests a moment caught in an active life. The book s powering of listeners to move past outside voices that diminish will be particularly welcome, and this will speak to audiences too young for Black Is King. --The Bulletin of the Center for Children's Books, starred review